The screens envelop the audience and draw them into the good vs. evil plot. The stakes are pretty high as the monosyllabic Terminator and John Connor travel from the present day to Los Angeles in 2029 where they try to save the world from the evil Skynet. They encounter some pesky "mini-Hunter-Killers," sort of hubcaps with an attitude, that seem to dart in and out of the screen and threaten to give everyone in the audience a buzz cut. The big showdown, however, is between Arnold and a behemoth robot/supercomputer dubbed, "T-1 Million." In the end, of course, the good guys prevail.
With enough theatrical fog to disorient an old sea captain, a booming soundtrack, moving seats, vibrating floors, lasers and other effects, T2 grabs hold of you and doesn't let go. Even though it's a theatrical presentation, it's so immersive, guests often refer to it as a ride.
The most disorienting and unique feature, however, are the live actors. In one scene, the Terminator comes hurtling toward the screen on his motorcycle--keep in mind that this is in 3-D--and a real motorcycle with an Arnold look-alike pops out and onto the stage. Theme parks often try to blur the line between fiction and reality, but T2 takes the game to a new level.
Robots suited to a "T"
Also supporting the action on the screen are "live" robots that line the sides of the theater. According to Bob Crean, vice president of Advanced Animations, the Vermont company that designed the robots, the "cinebotic" figures evolved as the project progressed. "Originally, we were going to create shiny 'T-800' robots from the Terminator films. But James Cameron objected since those models are from the future and wouldn't fit into our 1990's storyline."Crean and his team, therefore, designed the dressed-down present-day "T-70" robots. Using a sophisticated hydraulic system, the eight-foot cyborg soldiers rise out of the ground and join in a shooting spree. The show's computer controls the robots, along with everything else in the production.
It's an in-your-face world, after all
T2 is housed inside an unassuming "Cyberdyne Systems" headquarters location. The low-key, sterile facade belies the mayhem that awaits inside. The story is set up with a pre-show video hosted by a smarmy Cyberdyne rep. The tongue-in-cheek presentation shows the company's attempt to dominate the present-day globe by controlling all technology. (Bill Gates, are you listening?)With its slick, yet slightly askew, images of Stepford-like families basking in the depraved glow of Cyberdyne's rampant technology, the video looks as if it might have been created for an attraction at an evil-twin version of Epcot. It's almost anti-Epcot.
In fact, a stylistic distinction can be made between the two popular, competing theme park companies. If Disney is all about wishing upon a star, Universal wishes you, "Hasta la vista, baby." With its raucous, in-your-face, shoot-em-up attractions, Universal Studios is kind of like the swaggering Rolling Stones compared to the "All You Need is Love" Beatles-like Disney. The Beatles had "Let it Be;" the Stones countered with "Let it Bleed." Disney has "It's a Small World;" Universal has "Men in Black Alien Attack." Both companies score big hits with their parks, but they take different approaches. And T2 is the epitome of in-your-face Universal action.
